Hall And Oates - Out Of Touch - Daryl Hall - Isolated Vocals - Analysis and Tutorial



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Hall And Oates - Out Of Touch - Daryl Hall - Isolated Vocals - Analysis and Tutorial with tags ken tamplin, daryl hall, isolated vocals, vocal analysis, vocal stems, stem tracks, ken tamplin vocal academy, vocal technique, vocal academy, hall and oates out of touch, vocals only, out of touch, hall and oates, stems, hall & oates, daryl's house, music stems, how to sing, blue eyed soul, mix voice, reaction, tutorial, singing lessons, how to sing better, voice lessons, singing tips, rick beato, what makes this song great, voice only, vocal range, head voice
Hall And Oates - Out Of Touch - Daryl Hall - Isolated Vocals - Analysis and Tutorial
One of the things that I find so unique about Daryl Hall’s sound, is his phrasing and the distinct way he arranges his note choices.
It makes it pretty impossible to replicate and just gives you the feeling that it’s just a guy in the studio vamping and ad-libbing.
What other artists can you think of that have really created a one of a kind sound that can’t really be duplicated? Let me know in the comments!
As I take you through Daryl’s isolated vocals from “Out Of Touch”, I’m going to dissect it a lick at a time and we’ll discuss how he gets that sound.
For you guys that want to know how to record really good vocals, I’ll also show you how to use effects to really make it sound really expensive, teaching you exactly how I did it.
Also be sure to check out the version I did of "Sara Smile" here:
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Oh, yeah! And here's some news some of you may be interested in:
Some Fun Nostalgia For You.
My Old Shout Records Have Been Remastered.
For Anyone Interested: You Can Find Them Here:
#IsolatedVocals #DarylHall #OutOfTouch #KenTamplinVocalAcademy