Bebop Dominant Scale | Using Chromatics On A Dominant Seventh Chord

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Bebop Dominant Scale | Using Chromatics On A Dominant Seventh Chord with tags rick beato, everything music, bebop, bebop scales, bebop dominant scale, charlie parker, improvising over one chord, chromaticism in soloing, guitar lesson, jazz guitar, jazz scales

In this episode I focus on the Bebop Dominant Scale or How To Use Chromaticism On A Dominant Seventh Chord. I break down the scale which is Bb C D Eb F G Ab A or 1 2 3 4 5 6 b7 maj7. I also explain how to imply other chords over a dominant seventh chord. So over Bb7 I am implying an Fmin7 to Bb7 or as is sometimes called twoing the V. In certain cases I use a secondary dominant V7/ii before the ii chord.

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