Professional Singing Warm Up - All Male and Female Keys

Professional Singing Warm Up - All Male and Female Keys with tags vocal warm up, vocal, warm, exercise, vocal warm up exercise, 5 minutes, lesson, singing, vocal warm up exercises, vocal warm ups, vocal warm up exercises for women, vocal warm ups for kids, vocal exercises, voice warm ups for singing, ramsey voice studio, matt ramsey, warmup, singing warmup, singer warmup, how to warmup for singing

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5 Tone Male Exercise: 4:41

5 Tone Female Exercise: 6:01

1.5 Octave Lip Trill for Males: 9:58

1.5 Octave Lip Trill for Females: 11:23

1.5 Octave Gee for Males: 14:20

1.5 Octave Gee for Females: 15:46

Professional Vocal Warm Ups: The Ultimate Daily Routine

As a voice teacher, I give my students vocal exercises all the time in order to help them with a specific problem in their voice.

One of the most common problems that I see in my vocal lessons is that the students notice strain when they sing or have trouble controlling their voice.

I created this video as a video series of vocal lessons that consists of two parts.

Each part contains different voice exercises that can help any singer avoid strain, overcome their break and gain more control over their voice. That means hitting high notes without falsetto and singing with power and confidence.

The singing exercises discussed in this video are designed for professional singers but may also be used as singing exercises for beginners.

These daily vocal exercises are meant to be practiced gradually, day by day until you have found the results you’re looking for.

These daily vocal warm ups are very advanced, so please stop if you feel any strain or discomfort when you’re singing them.

The first step in learning to sing is to gain a foundation on the bottom part of your voice. We will call this area the chest voice. The chest voice is the range of notes at the bottom part of your voice that are most consistent with your speech sounds.

In order to increase the strength of this foundation, we will begin the warm up by singing on a five-tone count scale at full volume in chest voice. The entire idea is to avoid the breathy tone that so many singers fear. This breathy tone is the result of the vocal cords not resisting the air from the lungs correctly. By engaging more with our chest voice, the notes at the bottom of our range become stronger.

Now that we are solidly engaged with the chest voice notes at the bottom of the range, it’s now time to connect the different registers. My favorite exercise to accomplish this is the lip trill. The lip trill is one of the most popular vocal exercises in history due in large part to how successful it is at helping singers transition between their different registers.

We will now use the lip trill to help you connect from the bottom part of your voice to the top part of your voice, which we will call head voice. The head voice is a range of notes at the top part of your voice that is closer to the falsetto area. However, in order to sing well, we must create a connection between the chest voice and head voice so that the top notes ring with clarity and power.

The lip trill done on an octave and a half scale will allow you to transition from the bottom to the top part of your voice without breaking.

Now that we are connected from the chest voice to the head voice on the lip trill, the time has come to open our mouth and begin to sing exercises more similar to lyrics.

In this case, we will sing the word “Gee” on the octave and a half scale in order to maintain a connection between the different registers. The beautiful thing about the “Gee” exercise is the fact that the “g” consonant allows the vocal folds to come together, while the “ee” vowel is heady enough to allow a connection to head voice.